Arthur Miller’s seminal drama begins with its hero, Willy Loman, returning home from a sales trip in a state of utter exhaustion; it’s downhill from there—for Willy, at least. It’s a tribute to the power of the playwright’s conception and execution that the audience is held in a state of suspended trepidation—a kind of reverent state of recognition—as it watches a familiar life unravel before it.
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