Since her work as a cartoonist began appearing in The Village Voice and The New Yorker in the late 1970s, Roz Chast’s distinctive combination of scraggly linework, schlumpy figures, and off-kilter frame of mind has made her a singular presence in American humor. Can’t We Talk About Something More Pleasant? is Chast’s first full-length book project, and it brings her peculiar gifts to bear on a theme particularly suited to them: the end days of her parents and her own shifting reactions to their senescence and mortality. Prompted by the unprecedented intimacy of the material, Chast imbues her graphic memoir with an astonishing honesty and emotional eloquence, extending her idiosyncratic perspective on everyday life to the most dumbfounding subject of all: everyday death.
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