Even when it first came out in 1971, Hugh Kenner’s monumental key to the titanic age of literary modernism in the first half of the twentieth century had an air of elegy about it. Each page seemed to reassemble for the reader a portion of an elaborate mosaic that revealed the brilliance of an almost mythological constellation of writers. Kenner’s most striking revelations are about Ezra Pound, the figure he puts at the center of the creative generation that included James Joyce and T. S. Eliot, Wyndham Lewis and William Carlos Williams, among many other contemporaries, not to mention (poetic time being the most figurative of media) Sappho and Homer, Dante and Li Po. A difficult book, but a seductive one, it presumes an interest in its protagonists, and even some knowledge of their achievements; yet, since its themes—the evolution of language, the engendering of images, the life of story—are seminal to the making of meaning, the reach of The Pound Era is wide and its resonance deep.
0
Add Reply
Post Reply
Agree (1)
Life's too short (5)
Want to read
Share
Post Comment
We use cookies on this website
We use cookies to recognize you when you return to this website so you do not have to log in again. By continuing to use this site, you are giving us your consent to do this. You can read more about our practices and your choices here.